Good Work: The Chairmaking Life of John Brown

Product Description

by Christopher Williams

“Good Work: The Chairmaking Life of John Brown” by Christopher Williams is the first biography of one of the most influential chairmakers and writers of the 20th century: Welshman John Brown.

The book’s title of “Good Work” was an expression John Brown used to describe a noble act or thing. He once mused he wanted to create a “Good Work” seal that could be applied to truly beautiful and handmade goods – like the “Good Housekeeping” seal of approval.

“Good Work” is the kind of woodworking book Lost Are Press live for. It’s not about offering you plans, jigs or techniques per se. Its aim instead is to challenge the way you look at woodworking through the lens of one of its most important 20th century figures. And though this appears to be a book on chairmaking, it’s much more. Anyone who is interested in handwork, vernacular furniture, workshop philosophy or iconoclastic characters will enjoy “Good Work.”

Author Chris Williams spent about a decade with John Brown in Wales, building Welsh chairs and pushing this vernacular form further and further. This book recounts their work together, from the first day that Chris nervously called John Brown until the day his mentor died in 2008.

Alongside that fascinating story of loyalty, hard work and eventually grief, “Good Work” offers essays from the people directly involved in John Brown’s life as a chairmaker. Nick Gibbs, his editor from Good Woodworking magazine; Anne Sears, John Brown’s second wife; David Sears, his nephew; and Matty Sears, one of his sons who is now a toolmaker, all offer their views of John Brown and his work.

“Good Work” also allows John Brown (sometimes called JB) to speak for himself. Lost Art Press purchased the rights to reprint 19 of the man’s best columns from Good Woodworking, the ones that inspired devotion, provoked anger or caused people to change their lives.

Chris then proceeds to show you how he and JB built chairs during the later years together. These methods are different than what John Brown showed in his book “Welsh Stick Chairs.” And Chris goes into detail that hasn’t been published before. Chris covers the particular tools that JB preferred and gives you more than enough information to build a beautiful Welsh stick chair. But, just to be clear, there are no dimensioned plans included in this book.

To honour his mentor’s wishes, Chris instead shows you how to build a chair the way John Brown showed people to build a chair. Yes, there are dimensions. Techniques are clearly and cleverly explained. But there are some things left for you to work out – things that will make your chair your own – not just a copy.

The 208 page full colour book is also filled with historical photographs (many never published before) and beautiful linocut illustrations by Molly Brown, one of JB’s daughters. The book is printed on heavy coated paper with a matte finish to make it easy to read. The book’s pages are sewn, glued and taped – then covered in heavy boards and cotton cloth – to create a book that will last for generations. And the whole package is wrapped in a durable tear-resistant laminated dust jacket, which features linocut illustrations by Molly Brown. The entire book is produced and printed in the United States.

(Please note a companion book The Welsh Stick Chair – A Visual Record by Tim and Betsan Bowen offers a useful resource for collectors, designers and makers of the stick chair and those interested in Welsh cultural heritage and folk art. The book is filled with images of over thirty different Welsh stick chairs, including two contemporary examples. It also illustrates and examines the connections between the stick chair and cricket tables and stools. The book examines how these chairs were often made by makers who were without formal training in joinery, and examines how those craftsmen were highly skilled and understood the way the wood grew and how each different timber could be best utilized.)

View other products in Books on Chairmaking »